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📍 Noticed
Medieval Songbook
by Elizabeth Eva Leach
Sponsored
Synopsis
Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation.The medieval songbook known variously as trouvere manuscript C or the "e;Bern Chansonnier"e; (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to ...
Detailed exploration of an enigmatic manuscript containing the texts to
hundreds of songs, but no musical notation.The medieval songbook known variously as trouvere
manuscript C or the "e;Bern Chansonnier"e; (Bern, Burgerbibliothek, Cod.
389) is one of the most important witnesses to musical life in thirteenth-century France.
Almost certainly copied in Metz, it provides the texts to over five hundred Old French
songs, and is a unique insight into cultures of song-making and copying on the linguistic
and political borders between French and German-speaking lands in the Middle Ages. Notably,
the names of trouveres, including several female poet-musicians, are found in its margins,
names which would be unknown today without this evidence. However, the manuscript has
received relatively little scholarly attention, partly because the songs' musical staves
remained empty for reasons now unknown, and partly because of where it was copied.This
collection of essays is the first to consider C on its own terms and from a range of
disciplinary perspectives, including philology, art history, literary studies, and
musicology. The contributors explore the process of creating the complex object that is a
music manuscript, examining the work of the scribes and artists who worked on C, and
questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine
flavour of the repertoire and authors is also discussed, with contributors showing that C
frames the tradition of Old French song from a unique perspective. As a whole, the volume
demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and
scribes interacted with the courtly song tradition in fascinating and unusual ways.
hundreds of songs, but no musical notation.The medieval songbook known variously as trouvere
manuscript C or the "e;Bern Chansonnier"e; (Bern, Burgerbibliothek, Cod.
389) is one of the most important witnesses to musical life in thirteenth-century France.
Almost certainly copied in Metz, it provides the texts to over five hundred Old French
songs, and is a unique insight into cultures of song-making and copying on the linguistic
and political borders between French and German-speaking lands in the Middle Ages. Notably,
the names of trouveres, including several female poet-musicians, are found in its margins,
names which would be unknown today without this evidence. However, the manuscript has
received relatively little scholarly attention, partly because the songs' musical staves
remained empty for reasons now unknown, and partly because of where it was copied.This
collection of essays is the first to consider C on its own terms and from a range of
disciplinary perspectives, including philology, art history, literary studies, and
musicology. The contributors explore the process of creating the complex object that is a
music manuscript, examining the work of the scribes and artists who worked on C, and
questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine
flavour of the repertoire and authors is also discussed, with contributors showing that C
frames the tradition of Old French song from a unique perspective. As a whole, the volume
demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and
scribes interacted with the courtly song tradition in fascinating and unusual ways.
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