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Heida: A Shepherd at the Edge of the World
by Steinunn Sigurðardóttir
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Synopsis
Heiða is a solitary farmer with a flock of 500 sheep in a remorseless area bordering Iceland's highlands. It's known as the End of the World. One of her nearest neighbours is Iceland's most notorious volcano, Katla, which has periodically driven away the inhabitants of Ljótarstaðir ever since ...
Heiða is a solitary farmer with a flock of 500 sheep in a remorseless area bordering Iceland's highlands. It's known as the End of the World. One of her nearest neighbours is Iceland's most notorious volcano, Katla, which has periodically driven away the inhabitants of Ljótarstaðir ever since people first started farming there in the twelfth century. This portrait of Heiða written with wit and humour by one of Iceland's most acclaimed novelists, Steinunn Sigurðardóttir, tells a heroic tale of a charismatic young woman, who at 23 walked away from a career as a model in New York to take over the family farm when her father died.
I want to tell women they can do anything, and to show that sheep farming isn't just a man's game. I guess I've always been a feminist. When I was growing up, there was a female president, and I used to wear the same clothes and play with the same toys as the boys. It was just normal to me.
Divided into four seasons, Heiða tells the story of a remarkable year, interwoven with vivid stories of her animals and farm work and paints a unforgettable portrait of a remote life close to nature.
We humans are mortal; the land outlives us, new people come, new sheep, new birds and so on but the land with its rivers and lakes and resources, remains.
I want to tell women they can do anything, and to show that sheep farming isn't just a man's game. I guess I've always been a feminist. When I was growing up, there was a female president, and I used to wear the same clothes and play with the same toys as the boys. It was just normal to me.
Divided into four seasons, Heiða tells the story of a remarkable year, interwoven with vivid stories of her animals and farm work and paints a unforgettable portrait of a remote life close to nature.
We humans are mortal; the land outlives us, new people come, new sheep, new birds and so on but the land with its rivers and lakes and resources, remains.